'Living' pink with mellow yellow-gold undertones characterises Living Coral, Pantone Colour of the Year 2019, far softer than the vivid Ultra Violet of 2018. Certainly it brings some warmth to somewhat chilly times and draws our attention to the stunning beauty of the natural colours within the world of the fragile coral reefs.
In reaction to the onslaught of digital technology and social media increasingly embedding into daily life, we are seeking authentic and immersive experiences that enable connection and intimacy. Sociable and spirited, the engaging nature of PANTONE 16-1546 Living Coral welcomes and encourages lighthearted activity. Symbolizing our innate need for optimism and joyful pursuits, PANTONE 16-1546 Living Coral embodies our desire for playful expression. Pantone
by ROSIE PHIPPS
Ones personal truth is always mute – when it is truly expressed it is communicated in silence – and if one really has to speak what results is the translation of that silence into pictures, music, dance and other creative acts – personal, social and institutional.
Every dream is a plan that lends itself to enactment in the outside world, behind every enactment in the outside world there is a dream – or a picture, a note, a movement a thought, an idea – or perhaps something that is only waiting to be discovered.
Keats said – that which is creative must create itself. Creativity arises from itself, you can’t learn it, explain it, teach it – it comes upon one and creates stillness and a presence where the images and colours take on a life of their own. One becomes obsessed by it and it is creates an urgency and demands that have to be satisfied, one cannot avoid it, it has to be done.
Getting in touch with the imagination and the little people (internal objects) that inhabit it is rather like dreaming, the images are able to do as they please, one has to trust the voices, the images, and the sounds and allow them to come from themselves and not control what you want them to say. It is like a dream, one is always a player in a group, sometimes an observer and at other times taking command. Other people in the group are also of value. So what comes first in a painting may not be the final image, as one has to allow other images to speak for themselves. This may involve destroying what has initially been created to allow creativity to reform itself and to recreate itself. In painting a picture this process can go on, over and over again, so that one learns that the act of creation is also one of destruction. The creator and the destroyer work hand in hand. One has to learn to live with that tension.
The painting is a mirror that reflects who one is at a moment in time, the images and colours form the archetypal background to one's life and the relationship between the conscious and unconscious mind. The grid so to speak on which one is built, enabling one to battle with questions like chaos and control, black and white, dark and light, creation and destruction, duality and unity – the unification of opposites. These questions flow from out of the paint into being itself, so the work is both meditation on life and a meditation where paint becomes an extension of psyche: one’s battle with one’s soul.
LiterArties, people who embrace, explore and capture their creativity in many ways.