With 3 exhibitions back to back at West Ox Arts, Vale & Downland Museum and THIRTYEIGHT cafe in Summertown, it has been a very busy few weeks setting them up. Each has not been without its issues, but we have worked our way through and are ready for viewing!
WEST OX ARTS - 12th October to 9th November
VALE & DOWNLAND MUSEUM - 14th October to 2nd November
THIRTEIGHT Cafe, Summertown - ongoing
For Artweeks 2019 LiterArties Kamal Lathar and his partner Frauke Woenig decided to create a pop-up gallery in the centre of Summertown, Oxford. Conceived out of a shared, strong desire to "see what it was like to run a gallery" and to have a wonderful exhibition venue for his art in the heart of Summertown, an incredible space was eventually born for Kamal.
The Spice Lounge restaurant kindly offered an overgrown backyard that Kamal immediately saw tremendous potential for. Straight forward gestation...not in the least! After clearing the vegetation, several delays, construction issues (no surprises there) and other hurdles to overcome, a stunning, temporary gallery was erected. Just in time!
Bringing in the art and hanging... after several very long days, with a 'few pairs of helping hands, incorporating simple white paper and brilliant hanging technology, the exhibition was ready.
A stunning space, full of light displayed the LiterArties artwork to its best. Around 400 visitors were stunned that such an incredible area could be put together so imaginatively, to such effect.
Congratulations Kamal and Frauke!
RENTING THIS SPACE SUMMER 2019
Kamal Lathar has the entire pop-up stored safely ready for next year at the same venue, The Spice Lounge in Summertown. If you are interested in renting this structure over the summer 2019 for other purposes, or have any ideas for its use, Kamal and Frauke are interested to hear from you.
STEP 1 - First a Brusho water colour background was created, a chaotic cloud of potential, of many vibrant colours in the void. Then I had the urge to create circles in random locations.
3 'major' circles resulted, each a container and also a point, placed a-round a central copper circle. This middle copper circle is the focal Point of the painting.
Creating accurate circles with clearing defined edges is tricky. Any slight deviation or indent immediately shows. Straight edges are much easier! All the circles were made using 3 layers of lustre, applied with circular strokes, then polished and sealed.
STEP 2 and 3 - More circles of copper lustre were added, moving freely about the energetic domain. They all lie outside of the space delineated by the Trinity.
Each of the 'major' circles in the Trinity were haloed by a geometric shape - red circle:green square (space), green circle:pink circle (time), rose pink circle:green octagon (Directions). These 'major' circles are bound by force fields (symbolised by the yellow lines) to create a sacred space.
3 is the number of creation, of Mind Body Soul, different states of Being (such as liquid, solid, gas). From the Centre of 3 a created Being emerges.
The central copper circle, or sphere, has a crystal code within it that is the basis of the structure of the Being emerging out of the quantum field.
In Step 3, gold lines and patterns where then added around each of the shapes. Recognising the sacred nature of the creative process through the use of geometry and colours from light.
QUANTUM BEING - So much like the emergence of a form of being out of the Void, constructed out of geometry and light, so too did the geometric grid in the painting Quantum Being emerge out of the canvas.
Using it as a meditative tool for visualisation you can either focus of the centre and move outwards to see what form of being emerges, providing you with some insight for interpretation depending upon what is created. Or, you can choose your own body, or that of another object/animal/person/plant, and move inwards into their central code in the quantum field. At the end of your meditation move back to the point where you started. Reflect on the impressions you had as you move in and/or outwards, and also any insights you gained.
by LiterArties Karen L French
LiterArties Arts at The Old Fire Station exhibition follows on very quickly from The Jam Factory exhibition. A wonderful light space, the gallery does everyone's work full justice and also showcases our books.
Old Fire Station, Oxford 8th March - 11th May
IT BEGINS! After 7 months of planning and preparation the first LiterArties exhibition has started at The Jam Factory, Oxford, on Tuesday 26th February 2019.
The Jam Factory 27th February - 16th April
Early in the morning all our art was laid out and the walls discussed. It was very clear that the largest wall would be dedicated landscapes in a free form style. A section was for abstract art and and another figurative.
Debrah and Karen left the hanging experts to it and this was the brilliant exhibition that showcases our artwork...
'Living' pink with mellow yellow-gold undertones characterises Living Coral, Pantone Colour of the Year 2019, far softer than the vivid Ultra Violet of 2018. Certainly it brings some warmth to somewhat chilly times and draws our attention to the stunning beauty of the natural colours within the world of the fragile coral reefs.
In reaction to the onslaught of digital technology and social media increasingly embedding into daily life, we are seeking authentic and immersive experiences that enable connection and intimacy. Sociable and spirited, the engaging nature of PANTONE 16-1546 Living Coral welcomes and encourages lighthearted activity. Symbolizing our innate need for optimism and joyful pursuits, PANTONE 16-1546 Living Coral embodies our desire for playful expression. Pantone
LiterArties Maeve Bayton is having a solo exhibition at the Stanton St John village shop, Oxford OX33 1HD (see map below). There will be a collection of her beautiful paintings, collages, lino prints and cards for the WHOLE of December 2019.
Stanton St John village shop
13 Middle Rd, Stanton St John, Oxford OX33 1HD
Continuing with the theme of art inspired poetry....'capturing our creativity' in multiple modes.
LiterArties Kay Jamieson and Dennis Hamley are an artist, author partnership. The beauty of Lake Hayes, Queenstown, New Zealand, inspired Kay to paint her tranquil artwork that, in turn, inspired Dennis to pen a poem.
LiterArties' Deborah Martin's painting technique illustrated by a step-by-step example.
"I thought it might be interesting to show a work in progress at the various stages from start to completion, as an example of the type of demo/talk/ workshops I offer. This painting I'm calling 'Heatherlands' ...
Step 1: Pick out the colours you see and place them onto the canvas in blocks of colour. Looks like a weird kind of patchwork, doesn’t it?
Step 2: Start smoothing with a fan brush. This is sfumato, a-la-Leonardo da Vinci; think Mona Lisa smile. Starting to look a little more like a sky now …
Step 3: Add more highlights and then go back to smoothing again. It doesn’t matter if the colours blend. They do in real life too. And it doesn’t have to be a carbon copy of anything either. It’s YOUR sky …
Step 4: Now look at your palette – ugh! What a mess; just the way I like it. What colours will you use, and which have you finished with? Get rid of the defunct colours- don’t be a messy Tike like me!
Step 5: Vary the type of fan brush you use to blend colours, I use about 6 different ones in total. Keep smoothing until you’re happy with the effect and you have ‘sky’.
Step 6: Start adding the landscape, starting with faint delineation, and then building until you’re happy with the transition form sky to land. Now start to add the foreground …
Step 7: Use blocks of colour again, but also go with the shape of the land or the foliage. In this case it’s banks of heather so an arc shape movement works best.
Step 8: Add the path. I used a palette knife – good for coverage and you can get good effects by smoothing and stippling and scarping with it. It’s not just black, white and grey either. Look at all the other colours that are in there – yellow, cerise, purple, green, etc. Nothing is ever a block colour. There are always at least two other colours involved too.
Step 9: Now briefly smooth – but only a minute amount – and then stipple using the varying shades of the heather banks, following the line of the foliage. Sweep grass and underlying stalks upwards with a small fan brush to give the effect of stems.
LiterArties, people who embrace, explore and capture their creativity in many ways.