What do you write when you write and paint?
You write a children’s book – well, four actually!
That’s said rather tongue in cheek, because you don’t ‘just’ write it, it takes an idea, quite a lot of planning, a deal of knowledge and the advantage of being both a writer and an artist so you can illustrate it yourself too.
The idea came from my own pets:
They translated into:
Oh yes, and of course...
The knowledge to write the books from my many years as an ‘Early Years Professional’ before I started writing – in other words I owned and ran a nursery for children aged between 3 months and 7 years for most of my own children’s early years – as well as ran courses for the local further education colleges. Initially training as a primary school teacher after the indulgence of my English Literature and Fine Art degree, and then finding myself still surprised and mildly protesting at being sucked into a career in finance and management, when I had my own children, I rebelled. Kids were fun, finance and management were not! So for over ten years, I immersed myself in ‘fun’ – as well as becoming a one-woman tornado of training and teaching and nurturing everyone from the fifty-somethings who had decide to come back to work as a nursery nurse, to the few-month-old-somethings needing their care. It wasn’t all fun, of course – and as anyone who’s run a business knows, there’s an awful lot of management and finance involved in any of them, including one revolving around kids! But it was also a hectic, fun and uplifting time – and taught me so much about people.
LiterArties' Deborah Martin's painting technique illustrated by a step-by-step example.
"I thought it might be interesting to show a work in progress at the various stages from start to completion, as an example of the type of demo/talk/ workshops I offer. This painting I'm calling 'Heatherlands' ...
Step 1: Pick out the colours you see and place them onto the canvas in blocks of colour. Looks like a weird kind of patchwork, doesn’t it?
Step 2: Start smoothing with a fan brush. This is sfumato, a-la-Leonardo da Vinci; think Mona Lisa smile. Starting to look a little more like a sky now …
Step 3: Add more highlights and then go back to smoothing again. It doesn’t matter if the colours blend. They do in real life too. And it doesn’t have to be a carbon copy of anything either. It’s YOUR sky …
Step 4: Now look at your palette – ugh! What a mess; just the way I like it. What colours will you use, and which have you finished with? Get rid of the defunct colours- don’t be a messy Tike like me!
Step 5: Vary the type of fan brush you use to blend colours, I use about 6 different ones in total. Keep smoothing until you’re happy with the effect and you have ‘sky’.
Step 6: Start adding the landscape, starting with faint delineation, and then building until you’re happy with the transition form sky to land. Now start to add the foreground …
Step 7: Use blocks of colour again, but also go with the shape of the land or the foliage. In this case it’s banks of heather so an arc shape movement works best.
Step 8: Add the path. I used a palette knife – good for coverage and you can get good effects by smoothing and stippling and scarping with it. It’s not just black, white and grey either. Look at all the other colours that are in there – yellow, cerise, purple, green, etc. Nothing is ever a block colour. There are always at least two other colours involved too.
Step 9: Now briefly smooth – but only a minute amount – and then stipple using the varying shades of the heather banks, following the line of the foliage. Sweep grass and underlying stalks upwards with a small fan brush to give the effect of stems.
LiterArties, people who embrace, explore and capture their creativity in many ways.